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Yves Knockaert Wolfgang Rihm, a chiffre
the 1980s and beyond
Wolfgang Rihm ( b. Karlsruhe, 1952) is the most performed living German composer. With his personal, expressive, and versatile music, he became the most prominent representative of his generation. His individual approach to music was established in the 1980s and he continues to explore and enlarge his original concepts today. His 1980s work is at the core of this book, more specifically his instrumental music: the Chiffre cycle and the string quartets. Thinking about Rihm includes reflecting on his...
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Engels | PDF, 3 MB | Leuven University Press, Leuven | 2018
E-book
Cultural mediation in Europe, 1800-1950
International exchange in European cultural life in the 19th and 20th centuries From the early nineteenth century till the middle of the twentieth century, cultures in Europe were primarily national. They were organized and conceived of as attributes of the nation states. Nonetheless, these national cultures crossed borders with an unprecedented intensity even before globalization transformed the very concept of culture. During that long period, European cultures have imported and exported products,...
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Engels | PDF, 1,2 MB | Leuven University Press, Leuven | 2018
E-book
Luc Smekens The art pope
The Art Pope is a critique on contemporary art and the way the Belgian state treats its visual artists. Bron: Flaptekst, uitgeversinformatie
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Engels | 26 pagina's (ePub2, 0,1 MB) | Schrijverspunt, Almelo | 2018
E-book
Reinold Widemann Artists' conceptions of money
money art and artificial money
In this book eighty money-artists are presented. In the past some old masters and modern ones used to make money the subject of their works of art. Beside using money as a source of inspiration, they expressed their views on the meaning of money in their artworks as well. Nowadays a growing number of contemporary artists are producing art in which they critically comment on the meaning of money in our present financialized society. Their artistic comments are useful eye-openers to reconsider the...
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Engels | 185 pagina's (PDF, 7,3 MB) | Aspekt Publishers, Soesterberg | 2018
E-book
(Dis)embodying myths in Ancien Régime opera
multidisciplinary perspectives
The role of mythology in Ancien Régime opera. Throughout the Ancien Régime, mythology played a vital role in opera, defining such epoch-making works as Claudio Monteverdi's La favola d'Orfeo (1607) and Christoph Gluck's Iphigénie en Tauride (1779). The operatic presence of the Greco-Roman gods and heroes was anything but unambiguous or unproblematic, however. (Dis)embodying Myths in Ancien Régime Opera highlights myth's chameleonic life in the Italian dramma per musica and French tragédie en...
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Engels | 184 pagina's (PDF, 4,9 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
Steven Vande Moortele Two-dimensional sonata form
form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky
Two-Dimensional Sonata Form is the first book dedicated to the combination of the movements of a multimovement sonata cycle with an overarching single-movement form that is itself organized as a sonata form. Drawing on a variety of historical and recent approaches to musical form (e.g., Marxian and Schoenbergian Formenlehre, Caplin's theory of formal functions, and Hepokoski and Darcy's Sonata Theory), it begins by developing an original theoretical framework for the analysis of this type of form...
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Engels | 220 pagina's (PDF, 6,8 MB) | Leuven University Press, Leuven | 2017
E-book
Paul Craenen Composing under the skin
the music-making body at the composer's desk
A revealing study of the physical presence of the musician in musical performance. Fingers slipping over guitar strings, the tap of a bow against the body of a cello, a pianist humming along to the music: contemporary composers often work with parasitic, non-conventional sounds such as these. Are they to be perceived as musical elements or do they shift attention to the physical effort of music-making, contact between a body and an instrument? Composer Paul Craenen explores ways in which the musician's...
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Engels | 288 pagina's (PDF, 2,9 MB) | Leuven University Press, Leuven | 2017
E-book
Thomas Christensen Partimento and continuo playing in theory and in practice
This volume is a collection of essays based on lectures given at the International Orpheus Academy for Music Theory on 'Music and Theory: Thoroughbass in Practice, Theory, and Improvisation'. Hence the point of departure was not 'Music Theory' as such, but the interaction between music theory, music history, performance practice, aesthetics, and related sciences. This multidisciplinary approach, with the accent on the interplay between music performance and music theory, is reflected in the contributions...
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Engels | 136 pagina's (PDF, 4,3 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
Thomas Christensen Towards tonality
aspects of baroque music theory
This is a collection of essays based on lectures presented at the International Orpheus Academy for Music and Theory on "Historical Theory, Performance, and Meaning in Baroque Music". The often complex connections and intersections between, e.g., modal and tonal idioms, contrapuntal and harmonic organisation, were considered from various perspectives as to the transition (towards tonality) from the Renaissance to the Baroque era. Bron: Flaptekst, uitgeversinformatie
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Engels | Frans | 205 pagina's (PDF, 17 MB) | Leuven University Press, Leuven | 2017
E-book
Orpheus Institute Artistic experimentation in music
an anthology
Essential reading for anyone interested in artistic research applied to music. This book is the first anthology of writings about the emerging subject of artistic experimentation in music. This subject, as part of the cross-disciplinary field of artistic research, cuts across boundaries of the conventional categories of performance practice, music analysis, aesthetics, and music pedagogy. The texts, most of them specially written for this volume, have a common genesis in the explorations of the Orpheus...
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Engels | 416 pagina's (PDF, 5 MB) | Leuven University Press, Leuven | 2017
E-book
Ewald Demeyere Johann Sebastian Bach's art of fugue
performance practice based on German eighteenth-century theory
Analyse en achtergrondinformatie bij 'Kunst der Fuge' van J.S. Bach (BWV 1080), ten behoeve van de uitvoeringspraktijk, gebaseerd op Duitse theorieën uit de 18de eeuw.
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Engels | 254 pagina's (PDF, 4,1 MB) | Leuven University Press, Leuven | 2017
E-book
"Recevez ce mien petit labeur"
studies in Renaissance music in honour of Ignace Bossuyt
After a distinguished career of more than 35 years, Ignace Bossuyt retired as professor at the Musicology Department of the University of Leuven on October 1st 2007. As an internationally recognised leader in the field of later-16th-century music, Bossuyt consolidated the department's reputation as a centre of excellence in renaissance music studies. Articles in this volume deal with music from the period on which the dedicatee focussed his own research. Subjects discussed include newly discovered...
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Engels | 312 pagina's (PDF, 6,4 MB) | Leuven University Press, Leuven | 2017
E-book
What Is a cadence?
theoretical and analytical perspectives on cadences in the classical repertoire
The variety and complexity of cadence. The concept of closure is crucial to understanding music from the "classical" style. This volume focuses on the primary means of achieving closure in tonal music: the cadence. Written by leading North American and European scholars, the nine essays assembled in this volume seek to account for the great variety and complexity inherent in the cadence by approaching it from different (sub)disciplinary angles, including music-analytical, theoretical, historical,...
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Engels | 320 pagina's (PDF, 9,6 MB) | Leuven University Press, Leuven | 2017
E-book
Willem Elders Josquin des Prez and his musical legacy
an introductory guide
A comprehensive guide for early music lovers and performers Josquin des Prez and His Musical Legacy is the most up-to-date contribution to the research on one of the most important and internationally famous composers of the Renaissance. This monograph offers factual information on the composer as well as insights into his 16th-century and modern reception, a survey of the sources of his music, and a discussion of the thorny issue of authorship. Willem Elders, one of the most distinguished scholars...
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Engels | 247 pagina's (PDF) | Leuven University Press, Leuven | 2017
E-book
Orpheus Institute Ohne Worte
vocality and instrumentality in 19th-century music
The musical thought and practice of canonical composers. What can music tell us-without words? Can it depict scenes, narrate stories, elucidate beliefs? And can it be an instrument through which we access the inner lives not only of musicians from the past but of ourselves, today? In Ohne Worte five scholars and performers probe these and related questions to illuminate both the experience and performance of nineteenth-century music. Drawing on a rich range of sources, they reveal the musical thought...
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Engels | 230 pagina's (PDF, 10 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
New paths
aspects of music theory and aesthetics in the age of romanticism
New Paths, the seventh volume in the Writings of the Orpheus Institute, is a result of the third International Orpheus Academy for Music Theory. Five renowned scholars discuss a variety of topics related to romanticism, focusing especially on the years 1800-1840. In a much-needed historical and critical overview of the concept of organicism, John Neubauer ranges from its origins in Enlightenment biology to its aftermath in postmodernism. Janet Schmalfeldt shows that Beethoven's op.47 not only should...
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Engels | 200 pagina's (PDF, 6,7 MB) | Leuven University Press, Leuven | 2017
E-book
Kadoc Loci sacri
understanding sacred places
Sacred places have long exercised a special fascination. Sacred places are not static entities but reveal a historical dynamic. They are the result of cultural developments and have varied multidimensional levels of significance. They are places where time is, as it were, suspended, and they are points where holy times and holy places meet. Sacred places are places apart. It is this specificity in the context of the Christian religions of the West that Loci Sacri wishes to unveil by bringing together...
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Engels | 284 pagina's (PDF, 7,8 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
Unfolding time
studies in temporality in twentieth century music
Questions concerning music and its inextricably intertwined and complex interface with time continue to fascinate musicians and scholars. For performers, the primary perception of music is arguably the way in which it unfolds in 'real time'; while for composers a work appears 'whole and entire', with the presence of the score having the potential to compress, and even eliminate, the perception of time as 'passing'. The paradoxical relationship between these two perspectives, and the subtle mediations...
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Engels | 198 pagina's (PDF, 12 MB) | Leuven University Press, Leuven | 2017
E-book
Alessandro Cervino The practice of practising
The process of practising is intrinsic to musical creativity. Practising may primarily be thought of as technical, but it is often also musically meaningful, including elements of interpretation, improvisation, and/or composition. The practice room can be a space in which to explore a field of creative possibilities; a place to experiment and to refine ideas. To date, the literature on practice has been primarily pedagogical and psychological. Little attention is paid to the significance of practice,...
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Engels | 92 pagina's (PDF, 6,6 MB) | Leuven University Press, Leuven | 2017
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Barbara Titus Recognizing music as an art form
Friedrich Th. Vischer and German music criticism, 1848-1887
The impact of Hegelian philosophy on 19th-century music criticism. Music's status as an art form was distrusted in the context of German idealist philosophy which exerted an unparalleled influence on the entire nineteenth century. Hegel insisted that the content of a work of art should be grasped in concepts in order to establish its spiritual substantiality (Geistigkeit), and that no object, word or image could accurately represent the content and meaning of a musical work. In the mid-nineteenth...
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Engels | 270 pagina's (PDF, 3,1 MB) | Leuven University Press, Leuven | 2017
E-book
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